Three Drops of Blood exemplifies the tangle of exchanges, styles, meanings and creativity, and the delights of pulling a thread to create anew.

“It’s the dreamiest work I’ve ever made”

During ‘Belonging and Un-belonging in the English Countryside’ Pollard mentioned that her landscapes are not always peopled, but there still exists a resonance of being.

As we look upon Memorial to Zong then, we are not viewing a painting, but witnessing a moment in all its active dynamism, consequence and affect.